In Cloud Dance, currently in the show “Making Knowing: Craft in Art, 1950–2019” at the Whitney Musem, standard logic has disappeared and been replaced with stimulation of internal perception.

Simpson’s work in Chicago deals with tactility and time, revealing how through material and mark-making we can connect to something deeper and cathartic.

Lizzie Wright’s approach to art-making is one where ideas appear to come together from different directions and create uncanny, yet […]

In Babaeva’s grouping of works, she combines a variety of materials and objects that, paired with the gallery’s white painted floor and spare lighting, produce a sense of visual and aesthetic bliss.

To look at Ryan Lauderdale’s multi-disciplinary work as a mere sum of its material effects would fall short of the mark. It also addresses the ambient environment surrounding it

‘Nearer Nature‘ In the four-channel video from Malia Jensen’s current show at Cristin Tierney, a group of deer take turns […]

‘Uncertainty‘ Brian Buckley’s second solo show at the gallery presents more than a dozen framed images that pair cephalopodic forms […]

Fawn Krieger explores ideas of materiality, civics, and the illimitable through sculpture, drawing, and performance. Arriving at the convergence of environment and intuition, her work appears as a means of understanding how the universe works through its physicality, social interaction, and their metaphysical implications.

This show, featuring the influential work of American photographer, film director, composer, and writer Gordon Parks, spans the gallery’s two locations on 20th and 24th street and highlights—in both intimate and exquisite form—the realities of the Black experience in America during the mid-to-late 20th century.